Learn the concepts of Sur, Sargam, Arohi/Amrohi, and Saptak very briefly. This is the very first chapter and is an essential foundation for understanding Hindustani Classical Music (HCM).

This chapter focuses only on the 4 types of Sur that are vaguely introduced in Chapter 1. It is essential that none of the chapters are skipped as they go into a series of step-by-step learning.

Here, we introduce the readers to the foundation and structure of Raag and its variety of different characteristics.

Now that we have learned the basics of Sur and Raag, we can finally start our journey in Raag Bhairavi and Raag Bilawal.

This is a rare topic which should be covered early on. Here, we discuss transposing our Kharaj based on everyone’s singing range.